The preamp is the first of many extra layers you can control in Bias Amp 2. With Bias Amp 2 you can adjust the amp’s internals so that you can create something that really feels authentic, or just make something that is so radically different from your own amp’s sound that you’ll want to stay in the box. Over the years many guitarists have complained about the fact that even though a modeler sounds good they will still play their amps because it just feels nicer. This way you can alter not only the tone, but the general feel of the amp. This includes the preamp, tone stack, power amp, and the output section. Insane tweakabilityįor those who have grown tired of only being able to dial in a tone with standard amp controls Positive Grid have got the perfect answer.Īfter dialing in a ballpark tone with the amp’s front panel you can tweak parameters in the different parts of a typical guitar amp. But even if you don’t want to tweak your amp to the nth degree, the front panel controls still offer all you really need with knobs for gain, volume, and a three-band EQ along with a presence knob. The list of amps includes iconic amplifier replications of classic amps, like a Fender Twin Reverb, a Vox AC30, multiple Marshalls, and modern amp brands like Mesa Boogie, and Soldano.Įach one of these amp models can be fully tweaked to your satisfaction. Amp modelsīias Amp 2 features a whopping 36 different amplifier models, which are nicely arranged by their sound characteristics. I’m going to subdivide the features of this powerful software, because the list is quite extensive. This allows you to tweak the sound you have in your head to perfection. From the type of preamp valves, to the output transformer. If you want to know more about the differences between the three software tiers you can check out this very nice overview on Positive Grid’s website.īias Amp 2 lets you dive into aspects of amp design most guitarists would consider witchcraft. For the purposes of this review I will be focusing on reviewing the elite version. So I don't think Line 6 need to revisit the Panama model, purely because the Invective model already covers it.Bias Amp 2 is software that’s available in 3 grades. On top of that you get the green channel as well as red. Its less obvious here because the Helix model is dialled quite dark with lower presence settings and higher MV settings. Older models have a more static presence that can stick out sometimes. It also sounds better to me, I think Line 6's modelling is just better these days. I would add too - the Invective model can nail all of the tones of the Panama model (and more). In isolation the real amp sounds better to me. I think the Red7 load box means the amp itself has the presence higher than if you used a cab load, but IMO the Helix presence is too low here. I'm guessing lowering the MV a bit more (the Helix model has the volume higher than the real amp in a critical area of the pot taper) and dropping the bias (and possibly increasing the presence a bit) would help. The Helix model in isolation sounds mushier and without the top end fizz. In isolation they sounded more different than I was expecting - I think mostly down to how they're dialled in than any issues with the model. In the mix I couldn't pick one way or another. Solid video agree that the Panama model gets a worse rep than it deserves and people generally don't appreciate how accurate the model is.
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